To celebrate our 50th episode and two year anniversary we’ll be re-visiting the world of Twin Peaks 25 years after the fact, when Dale Cooper is scheduled to meet Laura Palmer in the Black Lodge. This epic event will post on February 17th which means you only have about a week to get your contest entry submitted!
Yes, it’s the first ever Whorer Podcast contest! Here’s how to play:
Tell us who your favorite woman-identified character in the Twin Peaks universe is and why.
Points will be given for originality of thought, critical insight, and humor.
Entries must be submitted via any means of contact you feel most comfortable with by 5pm CST on Friday, February 14th. One entry per person.
* an exclusive UNEDITED Whorer commentary track to David Lynch’s 1984 beautiful disasterpiece Dune
* a copy of Dune on DVD with customized fan art to accompany our mind-blowing commentary
Winner will be announced February 17th at Noon CST to coincide with the release of our 50th episode featuring our analysis of Twin Peaks: Fire Walk with Me. At this time we will contact the winner and request a mailing address.
Women in Horror Month is back! Here’s what’s brewing at The Whorer this February…
February 3 – Episode 49: Jennifer’s Body (2009)
Is it feminist? Is it not feminist? We’re just itchin’ to see what all the fuss is about!
February 22 – Con Nooga Presentation “When Feminists Attack: Women and Horror Films”
That’s right. We’re gonna be LIVE and in the flesh at Chattanooga, Tennessee’s Con Nooga! What are we gonna talk about? Why, women in horror of course! Here’s the program blurb:
What the heck is a feminist horror film and why the frak should you care? Come find out as we celebrate Women in Horror Month by talking about our favorite women produced horror films/TV shows and characters.
If you happen to be in the Chattanooga area, we’re presenting this awesomeness at 4pm in the Convention Center, Panel Room #10. Maybe if the rest of you bug us, we’ll record and release the audio…
While you wait, here are episodes from our archive focusing on women-made horror along with the PSA we created last year (please note that the Viscera organization is since dissolved *sad face*).
- American Mary
- American Psycho
- Blood Diner & The Oracle
- The Commune
- The Countess
- Ginger Snaps
- The Shining
- The Slumber Party Massacre
- Troll 2
- Valerie and Her Week of Wonders
A reprieve! The best of what wasn’t horror this year.
Harmony Korine’s Spring Breakers
This film is the only film I saw in 2013 that blew my mind (and yes, I do watch other genres in addition to my usual horror, sci-fi, and fantasy). I loved it instantly and exactly like I loved Lars Von Trier’s Antichrist and Pier Paolo Pasolini’s Salo, no afterthought required. I was kind of disturbed by the theater-goers that brought their kids ranging in age from 4-12 years, but then again that’s partly why I loved it. If you watch this movie and think it’s vapid teenage porn glorification you obviously haven’t done much research on Harmony Korine. I mean, do you really think his use of Skrillex is unconscious and just trendy? It’s a social commentary and speaks volumes of truth. This review does a decent job of summing up most of my feelings about Korine’s latest work. – Fem
John Waters’ best of year list in Artforum
Am I going to plug someone else’s best of the year list on my best of the year list? Why the fuck not? As I have said on the show, podcasts like ours are the toilet paper of culture. 90% of the time we are critiquing someone else’s work with someone else’s theory. We are the parasites of the parasites. (That’s a good name for a movie.) So here’s an aging genius’ list. Of the movies that I’ve seen on there, I’ve loved them. As for the rest, I want to see them. There are even a few we could shoehorn into the show. Maybe I am just high on French filth after our Martyrs episode. Regardless, his favorite film was my favorite film – Spring Breakers – which is unsurprisingly absent from all the other middle brow lists this year. He also gives a shout out to Blackfish which is near and dear to Fem’s heart. The only film Waters is missing is the soul crushing The Act of Killing. After watching that you’ll never laugh at any b-movie featuring machetes ever again. The best archival piece I saw this year was Joel DeMott & Jeff Kreine’s Seventeen but that was a 16mm shown as a one off at a music venue so good luck buddy. Are DeMott & Kreines stupid enough to think it would hurt them if that film was on internet? – Meredith Continue reading